Difference between revisions of "Directory:Minks Theater Presents/Dead on Arrival"
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+ | <div style="float:right; width:100%"> | ||
+ | {{sharethis}} | ||
− | ==The | + | <h4>'''[[Movie Title:=Dead on Arrival]]''' is a 1950 film noir directed by Rudolph Maté and is a classic of the ''[[keyword:=film noir|film noir]]'' genre. The film is proudly brought to you by [[Service Of::Directory:Minks Theater Presents|Minks Theater Presents]]... Enjoy...</h4> |
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+ | {| width="100%" cellpadding="5" cellspacing="10" style="background:#006633; border-style:solid; border-width:3px; border-color: #000000" | ||
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{| width="100%" cellpadding="5" cellspacing="10" style="background:#000000; border-style:solid; border-width:3px; border-color: #000000" | {| width="100%" cellpadding="5" cellspacing="10" style="background:#000000; border-style:solid; border-width:3px; border-color: #000000" | ||
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+ | <div style="float:right; width:100%"> | ||
+ | {{Infobox_Film | ||
+ | | director = [[Has Director::Directory:Rudolph Maté|Rudolph Maté]] | ||
+ | | starring = [[Has Actor::Directory:Beverly Garland|Beverly Garland]] and [[Has Actor::Directory:Edmond O'Brien|Edmond O'Brien]] | ||
+ | | budget = [[Budget:=0|$0 (USD)]] | ||
+ | | writer = [[Has Writer::Directory:Russell Rouse|Russell Rouse]] | ||
+ | | producer = [[Has Producer::Directory:Harry M. Popkin|Harry M. Popkin]] | ||
+ | | tagline = | ||
+ | | release date = [[Release Date:=1950|[[1950]]]] | ||
+ | }} | ||
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− | + | {| width="100%" cellpadding="5" cellspacing="10" style="background:#ffffff; border-style:solid; border-width:3px; border-color: #000000" | |
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− | + | <h4>The New York Times, in its May 1950 review, described it as a "fairly obvious and plodding recital, involving crime, passion, stolen iridium, gangland beatings and one man's innocent bewilderment upon being caught up in a web of circumstance that marks him for death"; O'Brien's performance was said to have had a "good deal of drive", while Britton added a "pleasant touch of blonde attractiveness". | |
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− | + | 25 years later, the same paper published a brief review of the film written by Wallace Markfield, characterizing it as one of a number of the "very best of the B's ... made on workhouse budgets under coolie conditions" with a power "derived from the central image of one chunky, sweating, absolutely desolated human and from the way it puts the spectator inside that human's skin and nerves."</h4> | |
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+ | | width="55%" valign="top" style="padding: 0; margin:0;" | | ||
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+ | <embed><SCRIPT language="JavaScript1.1" type="text/javascript" src="http://context5.kanoodle.com/cgi-bin/ctpub_adserv.cgi?id=88333764&site_id=88333765&format=754x90b&bdcl=000000&bgcl=ffffff&tlcl=000000&ttcl=000000&ulcl=ffffff"></SCRIPT> | ||
+ | </embed> | ||
+ | </center> | ||
+ | [[Category:Suspense Films]] | ||
+ | [[Category:Thriller Films]] | ||
[[Category:Minks Theater Films]] | [[Category:Minks Theater Films]] | ||
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Latest revision as of 21:15, 26 April 2007
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The New York Times, in its May 1950 review, described it as a "fairly obvious and plodding recital, involving crime, passion, stolen iridium, gangland beatings and one man's innocent bewilderment upon being caught up in a web of circumstance that marks him for death"; O'Brien's performance was said to have had a "good deal of drive", while Britton added a "pleasant touch of blonde attractiveness".
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